Saturday, April 30, 2011
Holy crap, that took a while
Some things about my list:
- I will only pick twenty-five. Sorry Ken, but some of us can't afford to put sixty movies on our list. Some of us have families to feed.
- For reasons already detailed, I'll limit my selection of Pixar movies to only one. Which one? Read on to find out! The suspense is killing you, I'm sure.
- I will try to restrain myself from using the words 'magic', 'nostalgic', 'racist', 'portrayal', and 'timeless' too much, but it’ll be difficult.
- I haven’t watched “Tangled” yet, I’m sure I’ll love it.
Starting from #1…
1. Aladdin - This one and Lion King will always hold a special place in my heart for a number of reasons; they came out around the same time (in my mind at least); they both struck an emotional cord with me; and I can watch either one at any time, no matter what else is going on. I've also watched each one about fifty times apiece and listened to their commentary tracks. So yeah. But why does this one edge out to #1? Because it's freaking amazing, that's why. It has everything: romance, adventure, a scrappy/sexy hero who overcomes all odds, hilarious side characters (Abu, Raja, Arab people), arguably the prettiest Disney princess, a wonderfully racist portrayal of a dastardly villain, and to top it all off, Robin Williams at his comedic, coked-out best. Throw in some superb songs, great action/chase scenes, and that hilarious part where Jafar keeps spouting puns before he casts a spell ("I'm just getting warmed up!!" *breathes fire* "Get the point?" *swords fall from sky* "Things are unraveling fast now, street rat!" *turns the Magic Carpet into yarn*) and what do you get? A-freaking-laddin.
And that scene where they're escaping from the crumbling Cave of Wonders on the Magic Carpet still blows my mind into a million pieces and makes me curse God for not giving me the power to fly and science for not inventing an affordable jetpack.
2. The Lion King - And where do I start with this one? This is probably the first truly "epic" movie I saw. Seeing that opening scene in the theater where the sun rises over the waking African savanna punched me in the brain so hard I started to see spots. I also cried until my eyes burned when Mufasa dies and Simba's trying to wake him up, but that's a whole bag of trauma best left unopened. Anyway, more than the gorgeous and lush visuals, more than the Elton John-penned songs, more than the amazing story, what really sets this movie above and beyond is the cast. Mufasa with his deep, booming voice who was both regal and fatherly; the wise and insane Rafiki, with his absurdist banana song and mastery of kung fu; Timon & Pumbaa with their awesome back and forth dialogue ("You talking to me?" "Shouldn't have done that!" "You talking to me?!" "Now they're in for it!" "They call me Mr. Pig! Ahhhh!"); the terribly inept henchmen, the hyenas; the tough and sexy Nala who filled me with extremely confusing feelings in my youth; the greatest Disney villain ever-that's right, I said it-voiced by the inimitable Jeremy Irons; Zazu, the hopelessly stodgy right-hand man; and, of course, Simba, who manages to believably make the transition from young and wild ruffian to carefree vagrant trying to forget his past to, ultimately, a lion who realizes that he must take the hard path to reclaim his throne and his destiny.
I later learned (later being 2009) that this movie was a rip-off of a Japanese film called "Kimba The White Lion" that none of the creators bothered to mention even in the credits, but you know what? Not even that cynical little fact can diminish this movie's greatness in my mind's eye. Long live Simba!
YAAAAAAAAAAAAA SEBENYAAAAA MAMA MEE TEE MAMO SIMOO SEN YA AY SEN YA OH!
3. The Nightmare Before Christmas - No film has influenced my cultural tastes as much as this film. The dark and twisted setting, the weird, eccentric protagonist, the freaky love interest, the comically over-the-top villain, etc. It all started here. The fact that my favorite solo artist is Tom Waits and my favorite videogame is Psychonauts is a testament to the impact of this movie. My appreciation of this movie has definitely deepened as I've aged. This is one of the few films that manage to strike a perfect balance between style and substance. The way Tim Burton and his team combined silent movie-era German surrealism imagery, Gothic Orchestra-meets-Broadway song and dance numbers, and modern animation aesthetics still has yet to be matched, technically or conceptually. And the story can still strike a chord with just about anyone who feels misunderstood and trapped by their circumstances (like I did when I was young and weird. Nothing like I am today). The fact that it was all done using stop-motion is nothing short of astounding.
And holy hell, let's talk about what a terrifying concept Oogie Boogie is. Good lord, a giant bag of bugs who eats small creatures while cackling maniacally. How many nightmares did he give me? A lot, that's how many. All of which ended in me awakening curled up in a fetal position, lying in a pool of my own urine.
Too bad Tim Burton is one of the most derivative filmmakers working today. Watch this film and you realize just how much vision the man had before he decided to smother it with a massive bag of money. And while I’m talking about shamelessly cashing in artistic vision for moolah, screw Hot Topic to hell. All the way to hell.
4. Alice In Wonderland - The perfect movie for a young, hyperactive child AKA me: no real story to follow, no characters to get attached to, no motives to decipher. Just a girl, lost in a world of her imagination populated by absolutely mad denizens who occasionally break out into songs about the joys of caucus races and the merits of not losing your head to a mad queen. There's not a lot I can say about this movie owing to its bizarre tone and meandering narrative, but this movie is definitely the sum of its parts and is not for everyone. For someone weird with off-kilter tastes like me, however, watching this film is like going on a good acid trip, one where all the phantoms are friendly and colorful and don’t want to steal your soul magic. So I've been told, I've never dropped acid. Makes holes in your brain, you know.
5. Wall-E – Making movies is no easy task. The amount of work by so many people that goes into a single film is really staggering when you think about it: you need the director, the actors, the crew, the producers, and more all working in tandem, which can add up to dozens, if not hundreds, of people working on a single project. To actually sort through that chaos and emerge with a great movie is an incredible feat. To make multiple great movies is akin to going to the moon and back a bunch of times times. But to make nothing but classics is what Pixar does every day. And from that near-flawless pedigree (Cars is not a great movie, sorry Ken), which one is the king? The little robot that can, Wall-E. I love the quirky yet eerie first half, I love the beautiful romance that develops between two robots who can’t even speak, I love the ballet in space scene, I love the fat human trundling along to the song “2001” made famous, I love the message warning against complacency and wastefulness, and I love, love Wall-E and his romantic, dancing ways. But mostly, I love this movie for making me feel like a kid again without being condescending or insulting my intelligence. So bravo, Pixar. You made it high on my list of the best Disney films ever, and to be recognized by Luke Kitchen is one of the greatest honors man can receive.
6. Beauty And The Beast – My favorite princess movie (unless Alice In Wonderland counts, but I think she’s just the princess of weird imagery and oblique metaphors). It’s funny that this film came out of Disney’s revival era in the late 80’s/early 90’s, yet it wouldn’t feel out of place if it came out between Snow White and Pinnochio. It has all the elements of an old classic Disney would have been proud to have worked on: the melodrama, the romance, the over-the-top villain, the kooky characters, the songs. And yet it manages to feel completely new even while it makes use of old cinema tropes. That’s probably why it was nominated for a Best Picture and why it’s still beloved to this day. Audiences of all stripes can enjoy this, young and old. And it has some of Disney’s single best scenes: the wolf fight, Gaston vs. the Beast, the musical number for “Be Our Guest”, and, of course, the ballroom dance (and its tragic aftermath). And I will always break out into an idiotic grin whenever I watch the servants all attack the invaders. Genius!
7. Fantasia – Definitely the artiest film on this list, it’s much like Alice In Wonderland: a series of separate scenes that don’t really serve a larger narrative but, taken as a whole, add up to something truly spectacular that takes full advantage of the technology available to it at the time. I love those dancing Chinese mushrooms. And what the hell was Disney taking when he dreamt up the Chernobog scene? Freaky stuff. Fun fact: this film flopped on release, but in the sixties it had a revival when Disney Studios re-released it and targeted it towards the burgeoning hippy youth with taglines like “Fantasia: A true experience of the senses!” Surprise surprise, it did quite well.
8. The Many Adventures Of Winnie The Pooh – You all know he’s my favorite Disney character. I don’t know why I identify with a slow, pudgy bear who loves to eat himself into a coma, but I do. But Pooh being a great character wouldn’t be enough if he wasn’t surrounded by an equally lovable cast and their adventures weren’t great fun. But he is, they are, and this film is all the better for it. It truly feels like a timeless storybook come to life, one that parents can read to their kids, who'll eventually read it to theirs.
9. The Hunchback Of Notre Dame – Good, operatic fun. Probably my favorite soundtrack of any Disney film. Tony Jay makes anything better, the gargoyles are very funny, the action scenes are great and original, and the protagonist is lovable and tragic. Although this film definitely changes its tone abruptly and often, going from funny and lighthearted to dark and scary. Case in point: the festival scene, where we start with a boisterous song in a carnival atmosphere and end in a scene of persecution and torture. What?
10. Treasure Planet – Seems I’m the only one who feels this film lived up to its potential. Too bad movie-going audiences didn’t feel that way and this was a huge flop. High-flying adventure coupled with a ridiculous concept (“Pirate ships in SPACE!!” “Like, spaceships piloted by criminals who attack other ships?” “No no, ships. As in sails and cannons and no protection from the ravages of space, and they somehow fly through the infinite void.” “Sounds amazing, it’ll make a billion dollars in theaters!”) won me over. Maybe it’s because this is the movie I would have made when I was young and playing pirates vs. aliens with my Legos.
11. Hercules – Steve Woods as the Lord of the Underworld and Danny DeVito as a disgruntled satyr? Sign me up! Fun, bright, fast-moving, and stylish. The hero’s a lovable doofus, the love interest is actually interesting, and Pain and Panic are great as Hades’ punching bags. “This may be another Hercules!” “Yeah, I mean Hercules is a very popular name nowadays!” “Remember, when all the boys were named Jason and the girls were named Britney?” And the voice of Zeus is the crazy wheelchair coach from “Dodgeball”, so come on. Give this film its props.
12. Snow White – Started it all, amazing achievement, blah blah blah. When all the hype is stripped away from this film, it still stands on its own because it’s an extremely well-made piece of cinema that entertains and delights on every viewing. And I love the villain, but I wish she didn’t die ugly. It would have been nice if she could have transformed back before she died, because no one deserves to die hideous, not even evil queens.
13. Peter Pan – Pure childhood adventure and a work of escapist perfection. It has all the right moves: pirates, flying, mermaid bitches, racist portrayals of Indians, and a great villain. Who didn’t want Peter Pan to fly into their window and take them away to Neverland? Nazi children, that’s who. And I really like Michael. Top hats just scream awesome to me.
Also, shout-out to the Peter Pan-themed level in “Kingdom Hearts”, where you gain the power of flight and fly around the ship fighting monsters with bat wings and pirates flying boats. That was the best level in the game.
14. Mulan – More like “Mulan Rocks”, amiright? Kudos to this film for featuring a central female character who kicks all sorts of ass and whose only preoccupation isn’t just to bag some stud and live happily ever after. Although I guess she is just trying to save her father so she’s still ultimately living for another man, but still, she kicks ass while she’s doing it. And she beats Shan Yu, one of the most effective and menacing villains in Disney’s history. Fun fact: Eddie Murphy was still respected when he made this movie.
15. Bambi – Definitely an odd film. Who would think today of making a movie about a deer who hardly speaks in a bunch of scenes mostly showing off the wonders of nature? If it was made in the modern day it would probably be done by some small independent animation company, and if Disney did make it they’d have to include a fast-talking squirrel and an owl who sings the latest pop songs. But back in the day, Walt Disney pulled this unlikely success off and gave us one of the most tragic scenes in film history (“Mother? Mother?!”). Also, Man is a great villain. And supposedly John Williams was inspired by this movie’s use of music to signify the presence of an unseen villain for “Jaws”. Disney’s influence stretches far.
16. Pinocchio – Or, “How I Learned To Be Afraid Of Everything”. Seriously, there are so many parts in this movie that had me crapping myself. Three scenes-Monstro chasing Pinocchio and his dad on their slapdash raft, Stromboli threatening to chop up our hero into firewood, and the scene where Pinocchio’s friend transforms into a donkey while raggedly crying for his mother-are the holy trinity of frightening, twisted, and depressing animated scenes. I love the song “When You Wish Upon A Star”, even though its message is crap. You got to work for what you want, kids! You can’t just wish for it! Work on the street corners like I did, selling my wares *wink wink* to any interested passerby. And that song makes me think of the comic where Calvin wishes on a star, nothing happens, and he says he’d smoosh Jiminy Cricket if he could. And some good lessons are taught in this film: don’t trust anyone, don’t ever question parental authority, and whales need to be hunted to extinction.
17. Pirates Of The Caribbean – If ever there was a perfect popcorn movie, this is it. It never takes itself too seriously, yet it never resorts to parody; the action scenes are perfectly staged and appropriately heart-thumping; the skeletal villains were a welcome change of pace; the ship and sword battles were highly entertaining; and Keira Knightley makes me feel funny, like when we used to climb the rope in gym class. And Johnny Depp’s star-making performance is now the stuff of legend. Before the makers blew their load over the sequels, this film stood as a testament to how awesome pirate movies could and should be.
18. Lilo & Stitch – I was very surprised when I saw this movie. I’d been dragged along by Mom when I was still a surly teenager and expected to get more of the same animated drivel Disney’d been crapping out on home release and the Disney Channel for years. Boy, it sure is nice to be proved wrong sometimes. The story of an outsider looking for a friend was really touching, the humor was broad without stooping to cheap fart and other bodily function jokes, and the animation perfectly captured the beauty of Hawaii. I also have a soft spot for all things sci-fi, sue me. And Stitch was awesome, and Kelsi sucks. I also loved those two songs, the one at the start and the one from the surfing scene. I put those two on repeat and listened to them over and over again.
19. The Emperor’s New Groove – You want me to piss myself? Just put this on and I guarantee I’ll be laughing hard enough to do so.
20. The Jungle Book – If Peter Pan is childhood fantasy, this is childhood fiction: highly unlikely, but still feasible, and just as delightful. I can’t think of anything bad about running off to the jungle to live with your best friend bear and puma, singing and dancing and pigging out every day on fruit. Well, except for the fact that you’re being hunted by a giant, hypnotic snake and a psychotic, man-eating tiger. And those Beatles vultures were always funny, even more so now that I know who the Beatles are.
21. The Little Mermaid – I loves me my ocean, and even though this is an extremely unrealistic portrayal (why does the shark have the jaw of a snake?), it still tickles my brain to watch the sea floor come to life, especially in the song “Under The Sea”. Ariel was a likable heroine whose dreams of exploring the greater world are universal, Sebastian and the seagull dude were great fun, King Triton was properly imposing, and Ursula is just great, campy, over-the-top fun. And I love the “Part Of Your World” scene. I still sing it when I’m on an elevator that’s going up, much to the chagrin of my fellow passengers.
22. Who Framed Roger Rabbit? – Christopher Lloyd, that’s who. The film that proves that the most ridiculous concept can be pulled off with the right amount of sincerity and wit. The contrasting of the cartoon characters and their anything-works reality with the real, gritty world and its pragmatic nature was nothing short of genius. So hilarious, so weird, so unique, and so well-made. Bob Hoskins totally gives it his all in this role; anything less would have undone the film. Jessica Rabbit is responsible for starting a lot of cartoon fetishes, I’m sure. And is there anything more unsettling than a flattened Christopher Lloyd wobbling around and drinking helium until his eyes pop out? The answer is no. No there is not.
23. Tarzan – Gotta love a ripped man in a loincloth grinding on trees. Did you know that the animators studied the movements of skateboarders for those sequences where he’s sliding through the jungle? All the characters are great in this film, especially Jane’s dopey father. And Terk and Tantor are probably the best comedic relief since Timon and Pumbaa. The scene where Kerchak, a giant gorilla, is dying and saying his last words to Tarzan should be melodramatic and ridiculous, but it makes me tear up. And yes, Phil Collins was phoning it in lyrics-wise, but those songs still get my blood boiling and make me want to go run through jungle on all fours. "Two worlds one family / Trust your heart let faith decide / To guide these lights we see!" What the hell does that mean, Phil?
24. Mary Poppins – Other than “The Wizard Of Oz”, my favorite live action musical. Julie Andrews is just delightful, Dick Van Dyke pulls double duty as Burt and the old, decrepit banking president, and the sequence where they go into the cartoon world and Burt dances with the penguins is still amazing. I heard tale that Julie Andrews had such a filthy mouth that they had to rush the children off the set whenever she got cross. Whether it’s true or not, it’s pretty funny to think about.
25. Robin Hood – AKA “F*ck You, Ayn Rand.” Who doesn’t love the story of Robin Hood? It’s so broad and can be interpreted in such different ways. I love this films playfulness and sense of camaraderie among Robin Hood and his merry men. I also love how Prince John cries and sucks his thumb whenever he’s beaten. The thrill of Robin Hood pulling off a heist was always great. Like “Ocean’s Eleven” with bows and arrows instead of technology and extremely sexy men.
Well, that’s it. Maybe now it’s time to go watch that “Tangled” I’ve heard so much about. Then again, all this talk about Disney movies has made me want to go watch Lion King and Aladdin. Maybe I’ll do that instead.
Oh, and as an aside, listen to this terrifying cover of “Heigh Ho” by Tom Waits and then try to sleep at night. Bet you can't do it!
(It starts about 18 seconds in)
http://www.youtube.com/watch?v=C4_zaZ3utUY
Thursday, April 28, 2011
I feel like I need to go take a nap now.
WHAT A MAN.
A Different Take on Disney Greats...
Classics:
Here’s where I became humbled by how much I didn’t know about when Disney movies were released. In my mind I considered the Classic era (animation only) to begin with Snow White and ending with 101 Dalmatians. However, here I got one of the greater shocks of my life. Robin Hood was released in 1973!! I always thought it was in the time frame of Cinderella. But now I know and therefore, the Classic Era begins with Snow White and ends with Robin Hood. 16 fully animated films are in this era so I’ll cut out six and provide a top ten.
10: Jungle Book. Mowgli always kinda bothered me. I just never connected with him as a main character. The supporting cast is the best part of that show, even the villains despite their failure to eliminate the annoying Mowgli. Also the motivation of all the characters is totally jacked. Shere Kahn? Why does he even care? Baloo? His preoccupation with Mowgli always kinda creeped me. Only the snake is properly motivated by desired caloric intake, but his voice is also shared by Winnie the Pooh and that’s sacrilege. But all its faults considered I still prefer Jungle Book to Snow White and Aristocats. I only like Thumper and Flower in Bambi. Alice and Wonderland was too sycodelic to be allowed in my house, and the other 2 films of this era I’m unfamiliar with.
9: Dumbo. Really great in every way but the competition in this era is just steps above Dumbo.
8: Pinocchio. I didn’t know this was Disney’s 2nd film but that explains the lower animation quality. I also have never been that crazy about Pinocchio I this because of its intensity and frightening sequences which must have bothered me as a child. I hate Monstro!! And the tuna and all the other villains in the film.
7: 101 Dalmatians. I love the little puppies and Cruella Deville is classic.
6: Peter Pan. Shut it Ken. This is becoming difficult. Originally I put Lady and the Tramp at 7 but the more I thought about it the more it the more I liked it. This pushed Peter Pan back which has no flaws but is simply edged out according to my tastes.
5: Lady and the Tramp. Love it all. Jock and Trustee rock, but the truth as to what pushed this film up to number 5 was when I remembered the zoo scene with the lisp laden beaver.
4: Cinderella. Jaq and Gus Gus, nuff said.
3: The Sword and the Stone. This take the Bronze because of Madame Mimm. This movie is quoted by myself and my family constantly. Arthur is a completely pure underdog character that you love to cheer on. Also I first saw this movie when I was 8 years old at my uncle’s house while on vacation with my grandparents, and that trip was awesome.
2: Robin Hood. Everything about this movie rocks my socks all night and day. On and on it goes with coolness. Right now I’m thinking of each scene and as they flash through my mind I just love them more.
1: Sleeping Beauty. This film is a work of art. I love how it has its own style of animation. Even the background is richly drawn. In the Disney villain death match Maleficent would hands down slaughter all takers fool enough to challenge her. But the reason for Sleeping Beauty’s number one status is the fairies. They are respectively my Grandma Carol and her sisters. Aunt Helen the oldest is obviously Flora, Aunt Marie is Fauna (I’m pretty sure they are clones of each other) and my Grandma Carol is Merryweather.
The Lost Years
From the “Lost Years” come some films that are grand and some best left forgotten. For simplicity the Lost Years span from 1974-1989. Here we find the arguable low march in Disney animation history, The Black Cauldron. Also in the Lost Years I will address Winnie the Pooh, the reason for this is that the three films were released as a set during the Lost Years but of course they were released individually during the Classic era, I admit it’s an odd choice but whatever. Also I consider The Rescuers Down Under to be part of the Lost Years despite its having been released in 1990 this is because of its stark contrast to the members of the Golden Age and it is not only a sequel to a Lost Years classic but it also has the feel and lack of songs that characterize films from the Lost Years.
Ranking of this era is quick and simple. Giving consideration to the Lost Years films were mentioning only they are ordered from like to beyond love: The Fox and The Hound, The Rescuers, The Great Mouse Detective, The Rescuers Down Under (Ken this film is absolutely worth a 2nd look. The best part is when the koala lists off what articles of clothing his fellow captives will become, “Frank will be . . . A purse, ooo a lovely lady’s purse.” John Candy also lends voice to Wilbur the Albatross who has his own wonderful side story. Beyond this one day only a couple of years ago (post mission) my siblings and I had a full on craving for this show, and were nearly driven mad when we couldn’t find it because it had been taken to the office in Coalville to entertain my niece. When we realized this we drove instantly to Coalville to retrieve it because there was no other movie in the world that could have satisfied us at that moment.) , and The Many Adventures of Winnie the Pooh (I’ll reserve my comments until my overall list where this appears).
Golden Age
The “Golden Age” began with the Little Mermaid. I call it the Golden Age because it marks the renewal of Disney as a filmmaker and the birth of modern Disney. The Golden Age is defined by 4 films, The Little Mermaid, Beauty and the Beast, Aladdin, and The Lion King. This era is marked by the epic nature of the films and the astounding music, culminating in grand crescendo with The Lion King. They also managed to capture the princess mystic which is no easy task. Pocahontas managed to capture the full feeling and style of a film from the Golden Age but I think all would agree with me that it was a little lacking. Honestly I’m tempted to say that the four films that define the Golden Age are the only ones in the era, but I’ll settle for a bumpy decline beginning with Pocahontas, dropping significantly with The Hunchback of Notre Dame, tanking with Hercules (which I am quite fond of but the sharp change in animation style always bothered me and was a huge departure from the Golden Age style), and making an honorable conclusion with Mulan. It is the Golden Age that the Princess and the Frog tried, with arguable results, to recreate. After the Golden Age of animation is the irrelevant era (Pixar excluded of course), an era still holding an iron grasp today. An era of such shameful trash that if you want to know what they are look them up yourself. One film surprisingly worth mentioning is Lilo and Stitch.
Golden Age Rankings: The Hunchback of Notre Dame don’t like
Bottom-Pocahontas,
The Lion King
Mulan
Aladdin
The Little Mermaid
Hercules
Top-Beauty and the Beast
Pixar:
I’ll be brief (a lie). There are 11 and all are worth consideration, but I think we are all aware of each films merits and by simply ranking them my preferences will become apparent. First let me say that the amazing thing about Pixar is their ability to tell a story with innocence and a complete absence of cheese, (which comes from trying too hard). This genuine innocence and purity is a hallmark of the Classic era whose zenith can be seen in the Many Adventures of Winnie the Pooh. The major flaw with the Golden era, and the reason why none of those films will make it into my top 20, is their failure to achieve this holy grail of animated film making. Even Pixar doesn’t always capture this feeling, but they have and that fact is truly staggering, because the Classic era was created during a more wholesome time. A time when right was right and wrong was wrong and most people knew the difference, where some innocence still remained in the world. To understand what I’m talking about simply watch the Many Adventures of Winnie the Pooh and then watch five minutes of any of its sequels (I know it’s painful). Disney has lost its innocence, and honestly only Pixar out of all film makers in the world are able to create stories that echo purer films.
Now to business
11: Ratatouille. Honestly I don’t really even like this one but it’s nice because every list needs a bottom
10: WALL-E. I agree that WALL-E doesn’t get his due, and his position as number 10 on the Pixar list is nothing to be ashamed of, that’s like taking 10th place in the 100 meter dash at the Olympics, though 10th there are countless behind you. This movie did so many cool things, it was a silent movie for the first half. WALL-E gets pushed behind the others because of his lack of subtlety, he was a bit too preachy, and a bit too obvious about it.
9: A Bug’s Life. A fine film but I don’t think about it very often
8: Monster’s Inc. It has its moments but it seldom jumps of the shelf at me.
7: Cars. Great fun and Lightning McQueen’s journey of self-discovery is well executed.
6: Toy Story. For typical reasons, most notably the mindblowing originality of the film, and the timeless characters created.
Getting more difficult. . .
5: Toy Story 3. I, with all other people possessing souls, cried when our beloved toys inched towards inferno. And yet I put Toy Story 3 in the number 5 spot because I felt that, while appropriate, the constant references to the other two movies didn’t completely satisfy me. And honestly I didn’t like the ending. I don’t feel that I have to grow up and let go of my toys and imagination and transition into a bland adulthood. Obviously this is not what the makers of Pixar did, just look at their “child’s dream” office building.
4: UP. I, with all other people possessing a soul, cried through the opening scene it is high water mark for Pixar’s story telling mastery. I also like that they didn’t try take us to those emotional depths again, they let us rise and ride the winds of fancy. We were able to move on to a new place with the characters.
3: Toy Story 2. Honestly I think this is where Toy Story reached perfection. The characters were fully developed and able to take an airy adventure without the baggage of concluding anything. I cried during 3 because I laughed through 2.
2: Finding Nemo. Pixar at its absolute best. Finding Nemo not only possesses all the aspects that make Pixar great, but takes these aspects to their highest achievement. Originality, Characters, Humor, Correctly Balanced Emotion, they’re all there in unrivaled quantity. I rank Finding Nemo as Pixar’s best work. I saw it opening day and having arrived right on time ended up laying on the floor at the front of the theater, this was beneficial because being already on the floor I couldn’t fall out of my chair with laughter. I simply rolled around on the soda, sugar, and butter soaked floor clutching myself with unbridled laughter.
1: The Incredibles. What? AJ have you lost your small mind? You just said Finding Nemo was the best Pixar movie and yet you put The Incredibles in the number one spot. Ah yes, Finding Nemo is the best but The Incredibles is my favorite. I can and have watched this one the most. I have not tired of the repetition I love it completely every time. It is my soul mate in movie form. Perhaps like me Pixar found itself dissatisfied with X-Men despite their love of the idea. So Pixar decided to do superheroes right, and right the did!!
Live Action:
18: The Rocketeer. This show was on tv the other day and it sparked an investigation. I could not understand how Jennifer Connolly had gotten vastly more attractive with age. A quick internet search followed by a photo comparison revealed how this was possible. She had a nose job! Her brilliant plastic surgeon built up the bridge of her nose. She may have also had her cheeks thinned. Long story short The Rocketteer is a pretty good flick.
17: The Three Musketeers. This movie also came from the 90’s. Charlie Sheen wasn’t crazy then (or at least could conceal it). All the action is actually really good.
16: 20,000 Leagues Under the Sea. Unlike the book this movie is actually good. Great characters and flow.
15: The Parent Trap (original). Hayley Mills did a fine job in this movie and didn’t go crazy (so far as we know) afterwards and become a major ho bag. Besides this emotional stability the movie also doesn’t suck and make me want to claw my bleeding eyes out like the horrible remake.
14: Pollyanna. Can you not love this show? It is an example of the ability Disney used to have to make wholesome entertainment. Could you imagine if they tried to remake Pollyanna?
13: Old Yeller. While this movie is classic I must say it is a classic example of how Disney tries to jack with a person’s emotions. I haven’t read the book but it probably does end the same way but tragic dog deaths are not really needed.
12: The Shaggy Dog. The kid that shot Old Yeller paid his dues by becoming cursed to turn into a dog at inopportune times that result in hilariously awkward moments.
11: Darby O’Gill and the Little People. Before he became Ian Flemming’s James Bond 007 Sir Sean Connery was romping around with leprechauns trying to save his love from the Banshee of death.
10: Herbie Rides Again. A lot of the experience I had in my young years with Disney live action movies was because my Grandma Bell would record them and then give them to us. All these random Disney movies are floating around my house. One of the best of these is Herbie Rides Again. This show climaxes with Herbie chasing a man on the wires of the Golden Gate Bridge.
9: Snowba ll Express. This show was taped on the same tape as 20,000 Leagues Under the Sea. Here a man is caught in the rat race of New York when he receives a hotel in Colorado from a long lost uncle. He uproots his family and moves them out there only to find that the hotel is a dilapidated disaster. He tries to turn it into a ski resort but disaster ensues. Great Great! Classic Disney live action randomness.
8: In Search of the Castaways. Hayley Mills is back again. Here her father is a sea captain that got lost. A French biologist finds a letter in a bottle inside a shark from this lost father. The children and the Frenchie try to convince their father’s boss to go after him. The Boss turns them down but his snobby son changes his mind because he’s smitten with young Hayley’s beauty and feist. Off they go on a grand adventure around the world.
7: The Ugly Dachshund. One of my favorites, it would have scored higher but the closer you get to the top the more intense the competition gets. In this show a family’s vet gives them a great Dane puppy when their dachshund has puppies. This dog’s large size leads to plenty of zany mayhem. As you’ll see the competition heats up after this point and a lower grade movie like this can’t keep up with the big dogs.
6: Pirates of the Caribbean: The Curse of the Black Pearl. Definitely the greatest pirate movie ever! If there was a genre before it was rewritten by this film. And yet it shows the shamelessness that modern Disney displays when raping their own creations for money.
5: Pete’s Dragon: Ken I can’t believe you forgot this movie in your list. For coming out of the 70’s it is a really solid movie. The music in this is just as impressive as anything Disney has done.
4: The Swiss Family Robinson. How could you go wrong with desert island strandings? You can’t. Never mind that hyenas, zebras and tigers don’t really go together but who cares. The pirates in this movie are Asian which is a nice change. And the family has such a grand time that they when given the chance they don’t want to leave their tree house paradise. A girl even shows up disguised as a cabin boy and provides a love interest for the two sons to fight over. And who plays the dishy Roberta, yes Sean Connery’s love interest in Darby O’Gill and the Little People.
3: Bed Knobs & Broomsticks. Love, love, love this flick!! I don’t have much to say about its greatness but if you’ve seen it you know how rad it is.
2: Mary Poppins. Honestly old Mary sugar goes down just barely squeaked in front of Bed Knobs & Broomsticks. Possibly because she won the best actress academy award for this role and the beyond loveable Angela Lansbury did not.
1: The Story of Robin Hood and His Merrie Men. Surprisingly the best live action Disney movie was only the 2nd live action movie they made. As you can see from this list it’s a good thing they didn’t quit while they were ahead but they hit gold.
Top 20 Overall
Now I’m afraid this list will be rife with hypocrisy because I’m pretty sure I'm going to rank movies in the overall list above movies which they scored under in the categories area. But I have a reasons, for an overall list I’m taking into account the desert island factor. Basically if I can only have 20 Disney movies to watch for the rest of forever what would they be. This changes things, I may like one movie more than another but I watch the other more often. I’m also taking into consideration the quotable factor. But it’s really boiling down to the oddity that a movie may edge out its peers when lumped together into categories, but when the chips are down and the pressures on in the overall group where considerations are different movies pull ahead unexpectedly.
20: Pirates of the Caribbean: The Curse of the Black Pearl
19: Lady and the Tramp
18: Aladdin (Beauty and the Beast). Here’s a case where a movie that got 4th in the Golden Age oddly becomes the only movie from the Golden Age to even make the final list. OR!! Would have been except that Aladdin is now playing on the Disney channel and Beauty and the Beast is clearly better. Further my roommate and I just had a Belle vs. Jasmine debate which only further pushed Beauty and the Beast ahead. Jasmine was born a princess which means while she may be cute and flirty during courtship her haggy, spoiled claws would come out 6 months into the marriage. But Belle . . . she’s nice from the start and becomes a princess for her ability to love a beast.
17: In Search of the Castaways
16: Pete’s Dragon
15: Peter Pan
14: Cinderella
13: Swiss Family Robison
12: Toy Story 3
11: Up
10: Sleeping Beauty. Here’s where the most hypocrisy comes in. Movies in the Classic Age find themselves all reshuffled for the final cut. Sleeping Beauty which was number one falls back significantly.
9: Mary Poppins. Edged out in the final by Bedknobs and Broomsticks
8: Toy Story 2
7: Finding Nemo
6: Bedknobs and Broomsticks
5: The Sword and the Stone
4: The Story of Robin Hood and His Merrie Men (Live Action)
3: The Incredibles
2: Robin Hood (Animation)
1: Winnie the Pooh. Why is Winnie the Pooh the greatest Disney film ever made? There are countless reasons but I only need cite one. When I first watched The 6th Sense I was properly scared and unable to sleep. My solution? Plug in Winnie the Pooh, its pure entertainment chased all the baddies away.
Friday, April 22, 2011
THE FIRST 60! Pairing Will Follow!
60 - The Brave Little Toaster. Did anyone even know this was a Disney?! I remember glimpses of this movie and they were all positive but a general lack of remembrance works to insure the relative obscurity of everyone's favorite toaster.
59 - Atlantis: The Lost Empire. Let's be serious. This was an awesome idea for a movie that didn't get the resources directed properly. It had Michael J. Fox and James Gardner, an awesome story, and it still seemed cheesy! But, for effort expended, it makes the first cut. We'll see if it's inherently likable(ness) wins itself into my final list!
58 - Treasure Planet. Another adventure movie that could have been awesome but never seemed to make it off the ground for me. I thought there were some really cool ideas but they were never capitalized on. Still, it's animation was awesome and the conceptualization was very cool.
57 - Pocahontas. Blah. I only threw this up here to make fun of it. This movie had a couple good songs, a lot of lame dialogue, and even worse political overtones. Think of Brother Bear without good music and you have Pocahontas. I won't say the message is entirely off, but it's totally overdone and I just can't enjoy it that much.
56 - 101 Dalmations. Eh. I never really liked this one. A fellow on my mission who worked for Pixar told me that it was his favorite Disney movie which strongly inspired me to look for its redeeming features, but I couldn't ever really find them. Cruella de Ville was obviously an awesome bad guy, and other moments worked to make it enjoyable as a film, but I just couldn't ever fall in love with it. Eh.
55 - Bambi. I'm not sure why, but I could never get into Bambi. Maybe it's the fact that it's about a sissy dear until the end of the movie when he finally becomes a mature stud and vanquishes his opposition, maybe it's b/c his mom died and that was literally my worst fear growing up, maybe it's b/c of the skunk whose species I despise, I don't know.
54 - A Goofy Movie. Although its storyline represents everything about movies that I despise (pop music and the Michael Jackson wannabe, juvenile kids punking their parents and then learning a lesson), etc. this movie throws me right back to the 90s and makes me feel right at home with my Vanilla Ice hair cut and Teenage Mutant Turtle underwear (R).
53 - The Little Mermaid. I will not stoop low enough on the machissimo level to admit to liking this movie more than I barely have to. Sebastian was entertaining, the sharks were terrifying, and Ursela reminded me of certain people (who we won't name).
52 - Meet the Robinsons. Three things save this otherwise blase film: the T-rex's line about having short arms, Tom Selleck's short shot as the kid describes his dad, and Tom Selleck's cameo as the father. ONE MORE! Michael Goobian. His name is Michael Goobian, but people call him Goob. Except for the day he missed the catch, that day they called him Butterfingers, and Booger Breath. It's nice to see they branched out.
51 - The Rescuers Down Under. I don't remember a whole lot about this movie, but I remember the bad dude singing home on the range and the rare birds having very expensive feathers. Again though, my memories were positive and it deserves a re-watch which hopefully insulates my enjoyment of the movie.
50 - The Rescuers. Same as above.
49-Mighty Ducks. I'll admit it. I watched it. Rewatched it. Rewatched it again, and was convinced that I needed to become a professional hockey player. If only I'd been raised in Canada....
48-Angels in the Outfield. Same as above. Except replace hockey with baseball and Canada with New York/Cuba.
47-Dumbo. I really loved the mouse and the crows singing, "When I See an Elephant Fly", and besides that I don't really remember a whole lot about this movie. Thus, while not ranking at the bottom it isn't coming anywhere near my prime spots.
45-Alice In Wonderland (the old one). OFF WITH HER HEAD! That scene, and the croquet scene with the flamingos, as well as the Merry Un-birthday song, insure that even for all its ecstasy-ness this movie makes it to the top 50!
44-Mulan. Another great story which lacked....something. It had good music, great acting, a great group of supporters and yet somehow it lacks what made other movies great. I loved the writing however and the villains were awesome.
43-The Adventures of Ichabod. You will notice that I broke up the iconic pair on account of the fact that the Adventures of Mr. Toad are obviously better than those Ichabod. However, Ichabod makes it as high as he does on account of the emotional imprint his being chased by that Satan spirit had on my desires to walk around deserted roads at night, and b/c it's a great movie about old New England.
42-The Sword in the Stone. Two complaints: too short and not enough awesomeness. The movie was about King Arthur and his mystic guide and while Disney could have worked to make this movie a little bit more of everything I feel a lacking panache. The fight between Merlin and Madame Mim was awesome though, and the trip through the animal kingdom with Merlin and Arthur was also enjoyable.
41-The Adventures of Mr. Toad. A great movie about money wasted on the nobility and the subsequent rise of the prodigal to deserve his fortune. I loved this movie. It was dark, it warned against profligate materialism, it had prison breaks, gun fights, and mob bosses.
40-Tarzan. The concept was cool, the music was awesome, and any movie with Silverback Gorillas is bound to be awesome.
39-The Princess and the Frog. I was less than impressed with what was supposed to be the come-back kid for the 2D display. The protagonists were lame, the story was start and stop, and some of the songs felt a bit forced. While the Shadow Man was awesome and the jazz music was great, they couldn't rise to what were undoubtedly too high of expectations.
38-Cool Runnings. WHAT?! THIS MOVIE MADE IT THIS FAR UP MY LIST! YOU BETCHA'! This movie has John Candy, running, and the unbeatable Swiss! Plus, the raps are awesome, and the mean black guy wants to live with the Queen!
37-Hocus Pocus. The best Halloween movie ever. The witches are awesome, the lame delivery of the protagonist is offset by memorable moments ("Hey Hollywood, the shoes are great!" and "I. Smell. Children.") and it comes off reinforcing your hatred of sin and Satanic forces (not really, but I had to throw it in there)!
36-Snow White. While not my most favorite of the love stories, Snow White pulls at the heart strings and builds the momentum pretty well for the casual watcher, and coupled with its prima materia place in the pantheon it will always hold a special place in the hearts of Disney lovers.
35-James and the Giant Peach. Totally not in a mean way, but this kid always reminded me of Luke. He has a hyper-active sense of adventure, he makes friends with the most interesting people, and his parents were eaten by a rhinoceros thus making his adoption necessary (wait, did Luke not know he was adopted?! OH NO!). It had great songs and good animation.
34-Lady and the Tramp. While I do not really enjoy this movie, it has four songs which rank very very near the top of my list of Disney songs (Bella Notte, He's a Tramp [by Peggy Lee!], We Are Siamese [who all people watching this show are now programmed to hate], and Peace on Earth), and for that reason only makes it this high on my list!
33-Ratatouille. I cannot believe this movie isn't higher on the list. It's about cooking and Paris, two of my most favorite things in the world. OH WAIT! NOW I REMEMBER! This movie does so poorly because it casts the worst, most annoying protagonist of all existence to play the bumbling doofus of a wannabe chef. I could not believe how bad the guy was when I first saw the movie. Despite its promising beginning, the movie could never aspire higher than its co-lead, and that was unfortunate, because it could have been awesome.
32-Enchanted. GISELLE (bite knuckle)! A great ensemble couldn't overcome a lamely delivered story, but they certainly did their best and the result wasn't that bad.
31-Robin Hood. I love that this movie manages to take a potentially controversial topic (stealing from the rich and giving to the poor) and make all the bad guys seem like such bungling profligates that you don't feel an ounce of pity for them. I also love the supporting cast, especially Friar Tuck and the kids. The scene where the Turtle kid says, "Yay Dad!" at the archery fair is priceless. That and other good moments manage to make this a save from the 70s (a rarity indeed).
30-The Great Mouse Detective. Rattigan! The World's Most Famous Rat! Such were the lines that made me forever hate rats, cats (who are only the rats stooges), and any entity plotting against the Royal family. This movie was clever, enjoyable, and insanely intense, and deserves a higher spot in the litany than most are willing to give.
29-Muppet Treasure Island. "You put a black spot on a page of the Holy Scriptures?!" I LOVE THIS MOVIE! It doesn't rise higher on the list on account of my shame that it is so freaking awesome and it's a MUPPET MOVIE! It is for kids undoubtedly, but there's plenty of intrigue to make me continue enjoying it.
28-Sleeping Beauty. Walt Disney spent a decade and a small fortune on this movie, and his efforts were not in vain. It obviously stood out from its predecessors, and the villain (Malificent) ranks as possibly the greatest Disney villain of all time.
27-The Three Caballeros. This movie will always remind me of Luke, and for that reason will always be one of my favorites. It gets a little trippy at times and the end seems forced and with literally no rhyme or reason to it, but some great songs, a healthy dose of Latin culture, and one of the most beautiful songs of all time (You Belong to My Heart) insure the lasting impression this movie will have on me.
25-Cars. Even though I know Kelsi will give me the judgment eyes for placing this movie so high, I'm going to do it anyway, but for a very good reason. This movie reminds me of driving with Gramps across the deserts of Nevada and thinking about how cool he was for driving a truck and listening to Rush Limbaugh. It is a dive in nostalgia lane! Even though it was lacking in substance (to the max) and was saved only by the superior delivery of three supporting characters (Mater, Luigi and Guido), this movie has a special place in my heart.
24-The Emperor's New Groove. BOOM! BABY! YOU THREW OFF THE EMPEROR'S GROOVE! David Spade, John Goodman, Eartha Kitt, and Patrick Warburton deliver a totally Aztec(ian) adventure with style in this movie. While the substance was definitely lacking, the moments of hilarity were not, and this movie delivered them in droves.
23-Tangled. O. M. The animation for this movie was beyond incredible. The lantern scene was literally unbelievable. After conversing with Kelsi, I pinpointed the few rough spots that in my opinion prevent this movie from rising any higher than it currently sits. They are: too short, lame delivery by Flynn and poor narration, and not enough action. It just seems to go too quickly. However (and I can't believe I'm saying this), Rapunzel is going to go down as one of the better princesses in my opinion, she's believable (if that's possible for a Disney princess), adventurous, and she drew moon charts on her ceiling. Come on.
22-The Hunchback of Notre Dame. The bells started ringing around 6 months ago. Kristin and I decided to rewatch Hunchback of Notre Dame in honor of our trip to Paris, and we were both blown away. The music, color, villain, supporting cast, and setting were incredible! While I felt like the leads could have gone stronger, the shortcomings were more than made up for, and this movie has serious lasting appeal.
21-Toy Story. And thus it begins. As Kelsi and I discussed, it's almost unfair to put Pixar movies on this list (on account of their complete domination), but I feel it's appropriate, and Toy Story, while not my favorite Disney/Pixar, definitely moves its way to the top of the list. It is the movie that started it all, and they started with a perfect story and a perfect cast.
20-Toy Story 2. And thus it continues. I enjoyed Toy Story 2 more than the first, several concepts were awesome (including starting with the epic opener [portender of things to come!]), and overall it was an awesome movie, even if it will now and ofrever be infinitely overshadowed by its luminous sequel.
19-The Jungle Book. A score of awesome characters (especially Khan) and a beautiful story work to place this movie in the top of my selection with very little effort. I will always enjoy watching Mogli and Baloo meander through the forests and learn about growing up and taking responsibility together, it's beautiful....
18-WALL-E. I think this movie got a bad rap, and it shouldn't have. While it does feel at moments like its Artificial Intelligence Pixar-style, it still manages to incorporate beautiful vistas, beautiful music, and a beautiful message about not being fat into a charming piece of robo-mania. Thanks Pixar.
17-Pinocchio. I love this movie. It's about family, becoming a real person, avoiding sin and vice (!), thinking critically in the bellies of whales, looking for divine assistance at the most desperate times, and always being true to your self. The greatest moral lessons ever given by Disney were delivered in this beautiful movie. It might not have all the actions we would want, but it excels at everything it attempts.
16-The Nightmare Before Christmas. I started about thinking where to place this movie, and the more I thought about it and its insanely awesome music the higher I wanted to place it. While I cannot quote the entire movie, I can sing each and every one of its songs, and any song involving the Boogeyman still gives me the shudders. I love this movie.
15-Monster's Inc. I don't know why, but I really really love Monster's Inc. Even though it has no standout greatness that I can think of, it just seems to be a beautiful movie and I enjoy it so much every time I watch it. Hm.
14-Cinderella. Even though it makes me look like a total girl, I will admit to really liking this movie. HOWEVER! It is only b/c it reminds me of Kristin (on account of her deep love for the movie, not her status as a servant heir) and the song, So This is Love, in many ways defines our relationship. SO THERE! VERY GOOD REASONS TO LOVE SUCH A BEAUTIFUL MOVIE! I AM NO SISSY! I WILL ARM WRESTLE ANYONE WHO DISAGREES! (p.s. the cat's name is Lucipher, and if that's not an effective way to sub-conciously get kids to hate Satan I don't know what is.)
13-Bedknobs and Broomsticks. Primarily for the opening song (The Soldiers of the Old Home Guard [That's who!]) and the strong and entertaining role played by David Tomlinson make this movie so enjoyable for me. That and it's about beating the Nazis. Damn Nazis. I also must admit to strong nostalgic (but unplaceable) feelings tied to this movie, and the Beautiful Briny Sea is an awesome song.
12-Who Framed Roger Rabbit! Another awesome live-action/animation film sponsored by the Happiest Company on Earth, though you might not know it from a cursory glance of this film. But everything in it was balanced perfectly and it delivered its stellar-ness stellar-ly. I rewatched it a couple of months ago and I was honestly astounded at how much I enjoyed it. The actors were great, the story tugged at your heart (in the sense of you wanted both progress and nostalgic indulgence, but you couldn't have both!), and they used the blend of live-action and animation as perfectly as could be expected.
11-Hercules. Only Disney can successfully blend a gospel revival with Greek mythology and make it come off in such pitch perfect fashion. I love Hercules. I'll admit I'm a sucker for Greek mythology, but Disney gives you more than you'd expect in a film that could have been so much worse. I especially love that although the movie is decidedly pop-history oriented they still managed to work in some cool tidbits on Greek mythology (Hercules genuine attire [and Scar as his throw], Hephaestus being so incredibly ugly, Hermes being a bit, well, metro). It was an immensely entertaining film.
10-Finding Nemo. Hello. My name's Bruce....That moment and its subsequent scene will entertain me for the rest of my life. Every moment of this movie's multiple story lines were engaging, the dad and Dory, Nemo in the aquarium (Shark Bait! Ooh ha ha), the tortoises and the EAC! It was wonderful.
9-Beauty and the Beast. I'll admit it, when Disney pulled out all the stops on this one, they really pulled the stops out. They presented a beautiful movie in beautiful style and they nailed it's delivery. It has an incredible assortment of all types of characters with a multiplicity of personalities and it keeps it going from beginning to end with an incredible array of musical presentations.
8-A Bug's Life. Until Up and Toy Story 3 came along, this was my most favorite Pixar movie, and it's all because of the cast. It was, in my opinion, the best assortment of characters in any movie that Disney or Pixar produced (with the very possible exception of Toy Story 3, but I don't think so). Heimlich screaming as the bird of doom was ready to eviscerate his maturing and corpulescent abdomen will go down as one of the greatest moments in animation history. Count on it.
7-Mary Poppins. Let's get right down to it. This. Movie. Is. Awesome. Julie Andrews singing beautifully but sternly, Dick van Dyke faking a terrible Cockney accent, a score of incredible songs and a finale of death and kite-flying, no live-action/animation film tops Mary Poppins. Even my love for Bedknobs and Broomsticks couldn't beat it. This movie is timeless, quotable, and infinitely enjoyable.
6-Pirates of the Caribbean. That's right. One of my top picks isn't even an animated film! "What? Kenny, no! This can't happen!" SILENCE! Despite the subsequent massacre of this movie's continued storyline, the original will go down as one of the best pirate movies of all time. While I have my qualms about certain sailing aspects of the movie (holes in sails [which is not even necessary, even for haunted boats], the lack of destruction when the Black Pearl broadsides the Interceptor (where the weight difference in shot is extreme to say the least), and the fact that anyone listens to Knightly as she acts like a pretentious babbler) I cannot deny the near mastery of film and stage portrayed in its vaunted parameters. Jack Sparrow is now a legend, pirates and sailing are once again in vogue, and there's plenty of booty to spare! YA-HAR!
5-Up. Even though I just met you, I love you. I've thought a lot about why this movie is so insanely appealing, and my conclusion has been that it is literally universally enjoyable. It doesn't matter what generation you are, this movie reaches out and says something to you that strikes at the very core of your being. It's spiritual at times, tragic at others, and incredibly adventurous all throughout. It involves a dirigible longer than 20 prohibition paddy-wagons, an insane Ahab on the hunt for his multi-colored chick Moby Dick, and a man in search of wholeness, and it does it all without ever letting you down or thinking you are being emotionally yanked around.
4-Lion King! I'm not sure why (I know it's know my nostalgia), but I'm impressed that the 90s produced two of my most favorite Disney films. Lion King, while in my opinion not as entertaining as Aladdin, was decidedly more epic, and delivered everything you would expect a thunder-rolling cultural achievement to deliver. I still marvel at the incredible talent Disney is able to enlist for its voices and music, and Jeremy Irons and Elton John epitomize that star-grabbing power. While not the best villain of all time, Jeremy Irons as Scar is nearly my most favorite, and Timon and Pumbaa are arguably the strongest and most popular supporting actors of any Disney film.
3-Aladdin! Ah, yeah. Even though it couldn't knock out Peter Pan and Toy Story 3, this once in a lifetime movie goes down for being the 3rd best film to emerge from the vaults of an unfolding Disney mantra. It shall go down as a story renowned for its adventure, betrayal, love, longing, aspirations for royalty, in addition to the greatest single performance of any Disney character. Ever.
2-Toy Story 3. "DONDE ESTA MI NAVE?! MI FLOR DEL DESIERTO! Ven conmigo y vamos a conquistar la galaxia con nuestron amor!" Come on. The five minutes of Buzz as a Spanish Matador/Space Ranger would have been enough to seal this movie's awesomeness for time and all eternity, but they didn't stop there. Despite the many reasons I wanted Lion King and Aladdin to be better than Toy Story 3, I just couldn't justify it in my mind. This was the most entertaining Disney film I have ever seen, it had a perfect cast, with a perfect story, delivered perfectly, and it made Barbie cool. It helped you appreciate friendship, made you scared to throw away your toys, and helped reassure us that: yes, in fact sequels can rock the foundations of your movie existence in ways never imagined possible after Pirates of the Caribbean 2 and 3. I LOVE this MOVIE!
1 - Peter Pan! Would you have expected me to pick something different? Come on. It's about the classic adventure, the immature but dauntless wonderboy (me of course), and it has pirates, indians, and flying!!! I'll never be able to let this one go. Even though its action scenes aren't the best, this story is perfectly told and it has everything that a boy could ask for. I am inspired to go on an adventure every time after having seen it and also to make sure that I am getting the most out of life, and if a movie can do that what more can we ask for?
SO THERE! LET'S HAVE AT IT! WHAT ARE EVERYONE ELSES CHOICES!
Monday, April 11, 2011
Hitler's Spy Chief - The Wilhelm Canaris Mystery
I've had this book for a while but I finally took the time to sit down and read it right before we left for Paris and finished it on the plane ride there. It's about Wilhelm Canaris, a naval officer in Germany who served as chief of the Abwehr and was continually seeking to undermine Hitler's regime.